Urban Prisoners Without Hope

I was a social worker in New York City for two years and I worked in the slums. About 3 million people live under the poverty line in NYC and many of them live in slums that defy description. For one year I was a protective diagnostic caseworker for abused and neglected children. I was the one who went to the homes and investigated abuse and neglect and removed the child when necessary. This stressful job took quite a toll on people. The average caseworker lasted three months on the job! I lasted a year. The next year I was an undercare social worker and had custody of a caseload of about twenty children who had been removed from their homes because of abuse or neglect and were living with foster parents. I saw masses of people trapped in New York as if it were a prison.

When the movie Escape from New York came out I went down to a movie theatre downtown Manhattan near Times Square. It was like a group interaction event. People definitely empathized with being trapped in New York. Where people view themselves as being in prison, they will view the police as prison guards, and the situation fulfills itself when police ACT like prison guards. I have seen things I hope no one has to see again. I KNOW what the Afro-American community in Baltimore is feeling. I sympathize with them. But the problem is that most Americans do not want to empathize. They just want the problem to go away. While I was a social worker we had 100,000 homeless people living on the sidewalks. People just stepped over them and went on their way. Then one day, the police came in vans and trucks and all of a sudden those 100,000 people were no longer there? Where did they take them? We have a police crisis in North America because we have a crisis of conscience! We have a crisis of care, or lack thereof. But we are just so busy, aren’t we? We go to work and keep our house in order and that just consumes our energy. Who has the energy to care? If you want to pray for something, pray for the energy to care!!!!

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The Dumbing Down of America

If you are interested in this subject please read this article and view the video I mention.

https://www.psychologytoday.com/…/anti-intellectualism-and-…

THERE CAN BE NO DOUBT that this dumbing down is taking place. It is anti-intellectual which also means “anti-art.” I came into the world of opera when this was happening. Nobody seemed to know who was giving the orders or how high up they were. Agents claimed to have no control. They also said they didn’t know who was running things. Articles appeared in the New York Times talking about the death of real opera. THEY didn’t know who was giving the orders! General Directors and Artistic Administrators and stage directors all claimed to be in the dark as concerning who was controlling opera and changing it to a dumbed down version of itself. If anyone wants to look deeper into this you should view this video about the Cecil Rhodes secret society. https://youtu.be/FoMezGPkyzU It just may tell you what you want to know. The Rhodes secret society was first set up to support the British rule of the world and later changed to support globalization with the West in control. The society was organized into rings of power. In the U.S. the foremost ring was The Council on Foreign Relations which at first was a front for J.P. Morgan and later became dominated by the Rockefeller interests, strictly globalist. One of the needs of globalism is to destroy strong national interests so that unions, like the EU, can be formed. Dumbing down the American people was and is a strong interest for the globalists. There were times set for various phasing in of certain policies. The time set to dumb down the arts was in the early 1970’s. In my field of art, all of a sudden, directors, managers, et al, were no longer interested in great dramatic voices wielded by great personas, as had been the case since the beginning of opera in 1594. The New York Times even wrote enormous articles about this loss of greatness in opera. No one seemed to understand who was giving the orders for this change. The Rhodesians were giving the orders behind the scenes, and that means the Rockefellers. David Rockefeller was a long time Board member of the Metropolitan Opera and had been Chairman of the Board for a period.

I came into opera by winning the Metropolitan Opera Auditions of the Air. My voice was highly praised by the critics, comparing me to a young Lawrence Tibbett. But I soon found that there were blocks being set in my way. I had to fight hard for every role I got. The critics and audiences praised me, but the business of opera was not opening its door for me. Finally in 1981 I had a break through. I sang the lead role in a New York premiere of an opera with the small company called The Chamber Opera Theatre of New York. Critics from all over the country came and I had an almost unheard of level of success. I thought sure the “big boys” would let me into their closed club after that! They didn’t and they made sure The Chamber Opera Theatre of New York was put out of business! What was going on?

Shortly after that New York premiere success my agent called me and told me I was to go to a certain office building. He gave me the name of a man who requested a meeting with me. I have forgotten his name. Back then I was totally ignorant of what was going on. I walked into his large office. He greeted me like he had known me a long time. He spoke like someone with power, like he was at the top of something, though that was not revealed to me. He talked in a jovial way like, “We’ve been watching you now for quite a while. When you first came to New York you were pretty stiff and some people just wrote you off.” He laughed and asked if I wanted a drink. I declined. He made himself a whiskey on the rocks and continued. “Now that you’ve shown us all how good you are, this would probably be a good time for you to go to Germany. Sing your Tonios and Rigolettos. You are not going to be let in here.” I think my jaw dropped at that. It didn’t sink in what he had just said, and the power with which he said it. There was a little more polite conversation and I left. I didn’t even tell my agent what he had said. I had just been told by someone at the very top that they did not care how good I was. They were not going to let me into their closed shop. They no longer wanted big-voiced dramatic artists who could move audiences. They wanted “a certain type of mechanically facile young performer (a quick study and top reader, obediently flexible in rehearsal) whose singing is neat and unthreatening and who can be described with the oft-heard phrase,’attractive, moves well, excellent diction.’ But we cannot care about or believe in a note they sing or a word they say, for much the same reasons that in life we often do not believe or trust persons whose preoccupation is with being attractive, moving well, and possessing excellent diction.” (The New York Times, April 20, 1980)

The Rhodesians were in the process of dumbing down the arts, weakening a culture, for the on-going process of globalization. Around that time a very big agent told me, “We like your work and we respect your talent, but we don’t have the time and resources to beat down the doors for you. It’s a small, closed group. The same people get hired for everything.”

I was a Midwestern boy who believed if you worked hard you would be rewarded for it. To think that I was being excluded because I was TOO good just did not compute. By now this process in my art of opera is complete. The singers you hear today on the Met stage are mediocre at best. Everybody mourns the loss of great singers and nobody understands how it all happened!!!!! It was planned to happen as a way of weakening the American culture. During Bush’s reign they thought they were ready to make a union of Mexico, the USA and Canada and unite them with once currency, the Amero. Lou Dobbs, then on CNN, reported on it early. People rose up against it and it was squashed, but Lou became a non-person for reporting it. Watch the video and read the article below. Open your eyes and ears!

Love is all there is to talk about

Love is all there is to talk about. It is the only thought that we can share with God. It is the only thought that goes beyond thought and connects us to Reality, which is all-encompassing Love with no opposite. In our dualistic world of infinitely important persons (sic!) “love” is usually attachment. It means that I see something in you that I really want or need and you see something in me that you really want or need, so we attach to one another and feed off each other! Real Love is not personal just as God is not personal, the real God, that is, not the Biblical Jehovah who is a man-child of a person, choosing a few special people and cursing all the rest, throwing temper tantrums like destroying the world, then repenting of it saying, “Oops. I shouldn’t have done that. Here’s a rainbow for you to show I won’t do that again.” Even the “love” mentioned in the New Testament (as in 1 Corin. 13) is still dualistic because the Bible cannot see beyond dualism. There is always an “I–Thou” relationship, never a joining. In true love, the lovers are One. They are One Love in two illusory bodies and they light the way for the true reunion that must happen; the bringing together of each piece, each broken shard of the One Son of God who is seen splintered here in this illusory universe, having forgotten he is Spirit, believing he is a body, subject to time and feeling lack. He tries to connect to other bodies who also have forgotten they are Spirit and experience lack. This is attachment, the broken son of God’s substitution for the all encompassing Love he truly is. Attachment doesn’t satisfy and if people marry with it they get tired of marriage and divorce.

So how do we find this real “Love?” First we would need to acknowledge, as does ACIM, that this Love is our natural inheritance and our true Self, that we are a part of God’s radiant loving light, from which we can never be separated. We have erected barriers to the awareness of Love’s Presence. The biggest barrier we erected is the WORLD!! ACIM says that the dreaming Son dreamed up this world as a place God could enter not! The body is his ultimate citadel against God! But this illusory world can be de-constructed. Every time I look on another and see that what is in his best interest is also in mine, a little light has come to us. I begin to find that if I refuse to make opinions about you that more light comes. As that light comes I begin to feel Love when I am in your presence, a Love which comes to both of us. In that moment my barriers are down and Love’s Presence comes into my remembrance. It joins you and I as One Spirit in two illusory bodies. The bodies are silly things. The Love is all important. This Love we share with God and remember for all our brothers. Love is all there is to talk about!